In a recent art auction held by Bonhams in New York during the special Armory Week, Robert Colescott’s monumental canvas “1919” (1980) made waves by selling for a remarkable $2.8 million, reaching $3.5 million with fees. This painting had previously taken center stage in a retrospective of the artist’s work, making its sale a noteworthy event in the art world. While the final price fell slightly below Bonhams’ estimate of $3 million to $5 million, it still stands as one of Colescott’s most valuable pieces to be sold at auction. The Legacy of Robert Colescott
Robert Colescott, born in 1925 and passing away in 2009, was a trailblazing artist known for his provocative and thought-provoking works. He was a pioneer in challenging traditional art narratives and exploring complex themes, particularly those related to race and identity. His distinctive style often combined satire, humor, and poignant commentary to address issues deeply rooted in American society.
Colescott’s artistic journey was characterized by a commitment to exploring the multifaceted nature of identity. As a light-skinned Black American man who could pass as white, he brought a unique perspective to his art, delving into questions of racial identity and the complexities of navigating a racially divided world. “1919 (1980)” is a powerful example of his ability to use art as a vehicle for social commentary.
The Significance of “1919 (1980)”
“1919 (1980)” stands as a testament to Colescott’s ability to blend historical references with personal experiences. The painting features a map of the continental United States, flanked by figures symbolizing the artist’s parents. This composition weaves together a narrative of race in America, touching on the intricate web of historical events, personal stories, and societal structures that shape our understanding of identity.
The choice of the year 1919 is not coincidental. This was a pivotal year in American history, marked by events such as the Red Summer and the spread of racial violence. Colescott’s decision to incorporate this year into his work underscores his commitment to addressing the racial tensions that have long defined the nation’s history.
The Role of Leading Lines in Colescott’s Art
Beyond the thematic depth of “1919 (1980),” it’s essential to appreciate Colescott’s mastery of visual composition. The use of leading lines is evident in many of his works, guiding the viewer through a complex narrative. In “1919 (1980),” the map of the United States serves as a central leading line, drawing the eye from one end of the canvas to the other. This adds a dynamic quality to the artwork and mirrors the idea of journeys and movements across the vast expanse of America.
The implied lines created by the figures flanking the map are equally significant. They lead the viewer’s gaze inward, inviting exploration of the individuals and their stories. These implied lines are a testament to Colescott’s skill in using subtle visual cues to engage the viewer in a deeper dialogue.
The Auction’s Impact on Colescott’s Legacy
The recent sale of “1919 (1980)” at Bonhams is a testament to the enduring relevance of Colescott’s work. While the final price fell below the estimate, the sale signifies the continued interest in the artist’s oeuvre and his ability to provoke conversations about race, identity, and history. The fact that the painting found a new home in a “robust collection” reflects the enduring resonance of Colescott’s exploration of identity.
Colescott’s impact extends beyond the auction room. His ability to tackle complex and often uncomfortable subjects through art challenges viewers to confront the realities of the American experience. As institutions like the Lucas Museum of Narrative Art continue to recognize the value of his work, Colescott’s legacy as a trailblazing artist remains secure.
In conclusion, Robert Colescott’s “1919 (1980)” is a masterful example of how leading lines and visual composition can enhance storytelling in art. Beyond its aesthetic appeal, this artwork serves as a poignant commentary on race, identity, and history. As it finds a new home in a prestigious collection, it continues to contribute to Colescott’s legacy as an artist who fearlessly explored the complexities of the American experience.
