Australia’s Withdrawal of Khaled Sabsabi From the 2026 Venice Biennale

Australia’s decision to withdraw Khaled Sabsabi from representing the country at the 2026 Venice Biennale has sparked intense debate at the crossroads of art, politics, and freedom of expression. The controversy stems from a 2007 video installation by the artist that includes footage of Hezbollah leader Hassan Nasrallah, raising questions about political sensitivities, artistic intent, and the boundaries of creative freedom.

Khaled Sabsabi is a renowned Australian artist known for exploring themes of migration, identity, and socio-political conflict. Born in Lebanon before migrating to Australia, his work often delves into the complexities of cultural heritage and geopolitical struggles. Over the years, he has participated in numerous international exhibitions, including previous editions of the Venice Biennale, solidifying his reputation as a thought-provoking and socially engaged artist.

The focus of this dispute is a video piece created by Sabsabi in 2007 that features Hassan Nasrallah, the leader of Hezbollah, a group designated as a terrorist organization by Australia and several other nations. While the artwork’s intention was likely to provoke reflection on political narratives and ideological divisions, its interpretation has ignited controversy.

The question remains whether the installation was meant as an endorsement or a critique. In response to the growing backlash, Creative Australia, the government body overseeing the country’s participation in the Biennale, opted to withdraw its support, citing concerns over potential political ramifications.

The decision has brought mixed reactions from officials, artists, and the public. Creative Australia defended its move, emphasizing the importance of ensuring that Australia’s representation on the global art stage does not inadvertently endorse contentious political figures. Some government officials echoed this sentiment, highlighting national security concerns and the broader implications of associating with politically sensitive material.