Growing up in Chicago my perception of art was always the extraordinary. It provided a feeling of something inexplicably tangible to the mind but felt intangible within perspective but came to fruition. I understood someone had created it in order to for me to see it; and I knew I wanted to do the same. I wasn’t sure which route would equal that satisfaction of purpose I’d eventually be looking for.
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My collection can be defined as something between hyper-contemporary and fine art. Being from Texas, I like supporting emerging and established artists from my state, but my interests extend across the globe via the Internet.
My grandfather had an antiques and collectibles store for over twenty years. I grew up appreciating a multitude of these special objects, and the emotional and financial value we attach to them.
Art Politics & Collecting with Russ Basin 5 Minute Read Do you remember the first work you bought? Do you still have it? I do…
There are many routes one can take; it depends on the artist and the stage of their career. I usually try to acquire works from “emerging” artists that may or may not have dedicated gallery representation. For young, less established artists, I often try to contact them via Instagram. This is an amazing way to informally connect and chat about their art. If possible